One yr in the past, the group behind NBC’s “Zoey’s Extraordinary Playlist” was devastated when the printed community pulled the plug on the musical collection after two seasons. On the time, the present’s forged, in addition to creator Austin Winsberg, have been vocal about how unhappy they have been in regards to the premature finish; after pitching it round and hoping for a pickup, it gave the impression to be useless within the water.
After which the Roku Channel got here round and supplied an opportunity to wrap it up within the form of a film; the two-hour vacation pic targeted on the Clarke household’s first Christmas with out patriarch Mitch (Peter Gallagher), who died on the finish of the primary season.
“We had ended Season 2 on a large cliffhanger, however we had many new tales we nonetheless needed to inform,” says Winsberg. “To have the ability to create a decision, give the followers readability and stay with these characters yet another time meant every little thing to me.”
Little did he know, his characters wouldn’t solely get to wrap up their story, however they’d even be elevated by their Roku film within the form of two Emmy noms — one for TV film and the opposite for choreography. However it took plenty of work to get there.
“It was actually a difficult project,” he says. “It was essential to make the film really feel accessible in order that audiences that won’t have seen the unique present might additionally take pleasure in it. On the identical time, we knew there have been a number of unfastened threads that wanted to be addressed by means of a construction that felt genuine for a film and never identical to two large episodes of the present.”
With an especially tight turnaround — the film aired inside six months of the present’s cancelation — “it was a skinny needle to string very, in a short time,” Winsberg says.
Within the TV film class, “Zoey’s” isn’t the one nominee that includes a present wrapping up its story on the small display, with Showtime’s “Ray Donovan: The Film” additionally on the checklist. The class contains Disney+’s “Chip ’n’ Dale: Rescue Rangers” and Paramount+’s “Reno 911!: The Hunt for QAnon.” Within the final slot is Barry Levinson’s “The Survivor,” which premiered on the Toronto Intl. Movie Competition and was purchased by HBO. All 5 of those initiatives are primarily based on tales which have pre-existing IP — whether or not beforehand launched characters or, within the case of “The Survivor,” is predicated on a real story.
“I feel with IP or characters that we already know, there’s a sure built-in consolation degree. If persons are accustomed to and like a personality or a program already, then chances are high they already reply to that tone and need to stay in that world somewhat extra and need to see how the narrative continues to play out,” Winsberg says. “There may be a lot content material out there proper now that something that already has some built-in followers or viewers consciousness might be a barely safer artistic wager to face out amidst the litter. Plus, time is valuable. Moderately than investing in one thing new, individuals would possibly gravitate towards materials that has already — to cite Marie Kondo — ‘sparked pleasure’ for them previously.”
Though the film was an opportunity to wrap up the story, Winsberg has “one million tales left to inform within the ‘Zoey’s’ universe” if the chance presents itself — and will even proceed telling these across the holidays.
“There’s an infinite quantity of affection songs that would work for ‘Zoey’s Extraordinary Valentine’s Day,’ a bunch of spooky songs we might use for ‘Zoey’s Extraordinary Halloween,’” he says. “If somebody desires to make a movie about Arbor Day, I’m blissful to think about songs about bushes and nature!”