How Dont Worry Darling Reimagines The Retro Cool Beauty Of The

How ‘Don’t Fear Darling’ Reimagines The Retro-Cool Magnificence Of The ’50s

A lot has been stated about Don’t Fear Darling, from the movie’s off-screen drama to the mixed-bag critiques — however the one factor no person can take away from the movie is that it’s visually gorgeous. The psychological thriller greater than makes good on its intentions to look as if it have been plucked straight out of an old school Slim Aarons {photograph}. 

Set within the Fifties — seemingly in Palm Springs or one other comparable idyllic California locale — Don’t Fear Darling follows a housewife, Alice (Florence Pugh), who lives along with her husband, Jack (Harry Types), in a utopian neighborhood referred to as the Victory Venture. The midcentury-modern set design and the fashionable interval costumes created by Arianne Phillips (who labored on As soon as Upon a Time in Hollywood) vividly convey this world to life. However what actually punctuates the classic aesthetic is the wonder, which was crafted by make-up artist Heba Thorisdottir and hairstylist Jaime Leigh. The pair credit director Olivia Wilde for giving them the liberty to see their visions by wholly and utterly.

Photograph: Courtesy of Warner Bros. Footage

“What I realised with this film is that there’s a distinction between working with a feminine versus male director,” says Thorisdottir. “[Olivia] understood our language and what we are able to and might’t do to realize sure issues. She was simply so open to each thought and let not simply me however everyone shine in what they do. She all the time knew when to step in and when to step again.” 

For Leigh, this was vital in creating midcentury-inspired magnificence appears, which all the time require a fragile stability — however particularly with what Wilde was attempting to realize. “When designing a ’50s- and ’60s-inspired look, it may be very simple for types to start out wanting mumsy, overly conservative, and a little bit drab,” says Leigh. “After studying the script and first chatting with Olivia, it was clear she wished to make Victory a feast for the eyes — all of the glamorous and attractive elements of the ’50s and ’60s with out all of the inflexible, overly structured unflattering sides. She wished the ladies to have a enjoyable and a freedom to them and all the time look fabulous.”  

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